In defense, 28 April 2004 Author: domicrayon from Belgium This movie is a piece of art: shocking and disturbing, while at the same time funny as hell in a raw "should-I-be-laughing-or-should-I-be-ashamed" kind of way. It gives an insight in the very realistically portrayed life of Ben, a serial killer with an impressionable charisma. Most people who commented on this film either love it or hate it. The division seems mostly geographical though: most Americans can't seem to understand the tongue-in- cheekness of this movie. Probably it has to do with the fake-documentary nature of the movie, which is clearly western-european. Anyone who has ever seen American documentaries knows they have a different pace and way of treating images. Those who are used to belgian/french/ dutch/german documentaries will recognise the style of the so-called "intimate" documentaries. The pivotal point is the moment a relationship develops "beyond" the documentary relationship of the filmmakers and their subject (they take Ben's money to finish the movie). When watching this movie, try to imagine that this *could* be a real movie: documentaries about terrorists, drugdealers, and even mercenaries (the closest thing to an actual serial killer) have been made, and some of them were very close to their subject.It is *not* a "black comedy" in the classical sense of the word, more like a "Clockwork Orange" for the nineties. Where "A Clockwork Orange" bathed in the design of the seventies, this movie bathes in the "larger-than-life" invasiveness of modern-day reality-tv-style television. Anyone who has seen shows like "cops" or "Big Brother" will know what I'm talking about. It asks the big documentary question: in how far does the observed change the observer? It makes a statement, not about violence, but about the observer of violence. The way it is portrayed shows the art of the (very low-budget) crew: it grips your guts without fancy effects or gory protrayal of gore: it shows fear, despair and psychological emptyness, by showing emotions! This should be recommended viewing (and debating) to anyone making documentary films.